But you are wrong if you think that in the actual writing, or the actual painting, you are filling in the vision. You cannot fill the vision. You cannot even bring the vision to light. You are wrong if you think that you can in any way take the vision and tame it to the page. The page is jealous and tyrannical; the page is made of time and matter; the page always wins (Dillard, 1989, p. 56).Closer still, Alexander flew from Portland to JFK airport on April 21st in an unidentifiable year. I picture him seated comfortably somewhere, a beige coat draped over the back of his chair, minutes before boarding call. As he makes his way to his seat and finally sits down, he tucks his ticket in the book and places it on his lap as he looks out the window and runs his palm over the smooth dust jacket. He looks into the distance, seeing particles in between like the stars in a night sky, and floats in and out of memories he can no longer tell apart from past and present.
All I know for certain is that what I feel is real, as real as the floor in this room, the weight of the bones and flesh of my body pressing against it.
Reading on the train, I surprise myself with a sudden laugh as I read a description of a woman watching her husband attempt to shoot down a woodpecker from the roof of their house. I look up from the page and notice the observing eyes of a little girl sitting across, looking at me, then cupping her hands over her mother's ear to whisper something. We make eye contact and she averts her gaze, crosses her legs, impersonating a grown up. I think of what I was like when I was her age, so impatient for life to begin.